Largest Leonardo da Vinci Exhibit at The Tech Museum in San Jose

09.28.08 | Category: Breaking News, Power Zen, Valley Future, Valley History

ValleyZen covers LEONARDO:500 Years at the Tech Museum

The world premiere of the largest, most comprehensive exhibit of the art, science & engineering works of Leonardo da Vinci is at The Tech Museum for just 100 days.
Wait — make that 99 days!

24 Feet Tall on the Red Carpet

Last night the red carpet rolled for a lavish celebration hosted by Frank and Denise Quattrone, Tech President Peter Friess and The Tech Board. Check out behind the scenes photos here on our Flickr set. Friess told ValleyZen, “There are so many engineers in Silicon Valley, and inside the soul of every engineer is a little bit of Leonardo. He’s not a person — He’s a phenomenon.”

Donors and Valley celebs walked the red carpet —-flanked by a 24 foot tall model of the Sforza Horse with its mighty hooves crushing hundreds of fresh rose petals. This bronze sculpture was originally designed as a gift for Ludovico il Moro, the Duke of Milan as a monument to Francesco Sforza, his predecessor. Shipping it from Florence, Italy to San Jose, required two ocean containers.

The Brilliant Galluzzi…& Galileo’s Middle Finger

We sat and talked with the curator of LEONARDO: 500 Years into the Future, Prof. Paolo Galluzzi, the Director of the Institute and Museum of the History of Science (Istituto e Museo di Storia della Scienza) in Florence, a museum that includes Michelangelo’s Compass (Compasso detto dei Michelangelo), Galilelo’s Telescope Lens (Lente obiettiva di Galileo) and Galileo’s Finger (Dito Medio della Mano Destra di Galileo).
ValleyZen covers LEONARDO:500 Years -- Peter Friess, TECH President

The Zen of Leonardo

Galluzzi shared high hopes for LEONARDO: 500 Years, an exhibit which was a blockbuster at the Tokyo National Museum last year. There over one million visitors flocked to that exhibit, entitled The Mind of Leonardo – The Universal Genius at Work. Galluzzi said that Leonardo was given a warm reception by the Japanese who were meticulous about translating his work from Italian into Japanese. This led into a fascinating discussion on the affinity between Zen aesthetics and Italian art and design. We will explore more in upcoming posts.

Acclaimed architect Stefano Gris, founder of GRIS Architecture, spoke about the pleasure of architecting this exhibit in a space that is so large and offers so many possibilities. Indeed the exhibit is over 30,000 sq ft with over 200 artifacts. Twenty Italian artisans were flown in to build it. This morning they departed for Florence.

Special Police for Uffizi Paintings

Tech President Peter Friess graciously gave ValleyZen a private tour of the two paintings on loan from the Uffizi Gallery. Two days ago, the paintings made a dramatic entry into the Tech with the San Jose Special Police Unit on hand. A swarm of police cars and a dozen armed gunmen escorted the paintings inside. All we can say is, that has to be the best use of the San Jose Special Police Unit ever. A great metaphor for how important it is to be guardians of great art, and to devote resources to protect that art. When Uffizi Director Antonio Paolucci took out a traditional level to ensure the paintings were hung straight, Peter did the Silicon Valley equivalent — whipping out his iPhone equipped with the iLevel app (which leverages the iPhone’s integrated accelerometers to function as a digital level for picture-aligning).

Vitruvian Man on Ice

The Quattrone family helpe to kick off an exhibit that shines a spotlight on the importance of our following in Leonardo’s footsteps to bridge science and art in Silicon Valley. Giant projections of Leonardo’s Vitruvian man lit up a fantastic horse sculpted in ice, and an endless table of Italian delicacies from baby panini to an assortment of imported formaggi, pasta, and gelati to fortify guests as they prepared to enter the 30,000 square feet of exhibit space. Tech staff were dressed in period costume to transport guests back and forward in time.

Responses from Guests

Pixar Director Jim Capobianco, winner of an Annie Award (animation’s highest award) noted how this exhibit might cure our cultural myopia:

“500 years ago Leonardo looked into the future. Today many of us are so weighed down with the Financial Crisis and the 24 news hour cycle, that we don’t look beyond. This exhibit forces us to look outside of ourselves into the future, and dream.”

Carl Guardino, President and CEO of the Silicon Valley Leadership Group said:

“This exhibit underscores the parallels between the Italian Renaissance and our own Renaissance happening in Silicon Valley today.”

Board Member James T. Ryder, Lockheed Martin Space Systems said:
“This exhibit shows us we cannot split technical thought from artistic feeling.”

SkinnySongs CEO Heidi Roizen, sartorially sharp in black, and a leftie like Leonardo shared some interesting theories with us about Leonardo’s penchant for writing backwards.

To Reserve Tickets, click here.

Sforza Monument by Leonardo da Vinci at the Tech Museum

10 Comments so far

  1. jim capobianco

    Just to expand on my quote: This exhibit is important because when you look at Leonardo not as the myth he has become but as a person who actually lived you see all that he accomplished in his life and it makes you wonder what you are doing with yours. When you realize he was able to do this around more hardship then we have to deal with it really puts it in perspective. He had to leave his home twice because of wars. And both times to save his life. The political situation was always shifting around in Italy at the time. He was always on the look out for a patron. He had to make his own paints, tools, and notebooks. In addition plagues, floods, earthquakes were some what common occurrences. I mean we really have no excuses not to do something a tenth as extraordinary as Leonardo was able to do. Start by going to see the exhibit!

  2. Drue Kataoka

    @ Jim – Thank you for this comment which places Leonardo in a human context. I am not saying it is wrong to hold him in superhuman regard, but that imagining his struggles and universal problems only makes him more extraordinary. Another obstacle Leonardo overcame was being born as an illegitimate child. No excuses is right!

    You mentioned a movie you are making about Leonardo. Your insights into him must be due to a lot of research on him. How is the movie coming along?

  3. Vlasta Diamant

    What a nice event, la dolce Italia, Leonardo and a classy event. A different flavor from Silicon conventions. You must have cherished that connection with the familiar times and life in Italy and brushing up on your Italian. Congratulations! A lovely dress, of course!

    Saluti,

    Vlasta

  4. Andrea Bernardoni

    First of all I want to thanks for the warm welcome I received during my week in San José.
    I want to say only few things about my work for the exhibition (Sforza monument).
    The big horse in front of the museum doesn’t have to seen as the Leonardo’s horse because He never made it. It is a reconstruction from his manuscripts to give the idea of the majesty and the impressiveness of his project. The originality of my work is the decoding of the casting process to produce it from the notes and the drawings in Leonardo’s manuscripts (you can see that in the exhibition). The horse outside is the result of an interpretation of the few drawings about the clay model and the casting mould. I like considering the fiberglass horse only the first step towards the bronze casting, a sort of preview of that could be, if we would make the true casting using renaissance structures…
    I will be very happy to answer of each question about the exhibition, especially on the horse.

    Andrea

  5. Bill Fenwick

    @ Peter Friess, Tech Board, Tech Staff –
    What a great result from your efforts. The Sforza Monument is such a magnet for the young people to interest them is the symbiotic relationship between science and art. Proof of the magnetism is the energetic effort exhibited by the different classes of school children in coming up with a nick name for the horse as exhibited at The Tech. Meeting you and your collegues from Italy and hearing about the extraordinary efforts you have contributed to The Tech exhibit caused me to conclude that I must visit the exhibit again with as many grandchildren as I can round up.

    Thank you for our conversations and for your hard work.

  6. jim capobianco

    @ Drue – That’s right Leonardo was illegitimate and although it certainly limited him in choice of professions and schooling he (and we) actually benefited from it. If he were legitimate he more then likely would have been formally educated and ended up in profession like a notary like his father. I guess he was always trying to find legitimacy. He kind of out did himself.

    Thanks for asking after my film. I am close to finishing. It’s been nearly ten years in the making. Leonardo always took awhile to do things so I thought I would follow his example :) Though he rarely finished anything. Since I don’t claim to be Leonardo I’ll get it done. The film is called “Leonardo” and is about his dream of flight and creativity. It is 8 minutes long and done in hand drawn animation. You can see more about it at leoanimation.blogspot.com.

    thanks

  7. Jim Wheeler

    The Leonardo exhibit at the Tech was an amazing experience. It is such an extraordinary example of how art and science meet. I’ve had the luxury to visit Milan on several occasions and I have had the opportunity to tour the Castilian with in Milan that belonged to the Sforza family that the famous horse was being constructed for. I was able to walk the halls and see some of Da Vinci’s work inside the rooms. (One of which was to make the room look like you are in a forest, talk about 500 year old virtual reality) This exhibit at the tech is a great follow up on my experience in Milan. To see his sketches at the Tech exhibit and to look at the mock up of the monument, the models of the foundry and to see how it might have been constructed was fantastic. Then to think this was all done hundreds of years ago. It’s amazing to see the thoughts and inner workings of such a profound person. Simply one of the best exhibits I’ve seen to date. I am really glad you made time to cover it.

    Jim

  8. Andrea Bernardoni

    @Jim Wheeler “Castello sforzesco” rooms in Milan are very suggestive, especially the “the forest” or “the roof garden”, the very huge room painted by Leonardo. Unfortunately today, in Milan, doesn’t exist any more about Leonardo’s horse. Starting to the manuscripts we have try to do some hypothesis on Leonardo’s casting process for the horse and I think his project was one of the most impressive and audacious challenger of the Renaissance. Also today speaking with engineers, melt and pour in a single casting 70 tons of bronze would be very difficult. But, after my studies on this topic I believe we are ready to try to do a casting of the horse using Leonardo’s process

    Andrea

  9. Jim Wheeler

    Dear Andrea,

    Thanks for your comments. It would be a great addtion to the Castello if the horse were in the court yard, given the vast open space there. It would fill it both nicely and make an impressive show.

    Jim

  10. giovanni tempesta

    Cara Drue,
    I tuoi lavori, anzi capolavori geniali mi fanno sempre piu orgoglioso di esserti non soltanto amico, ma di aver avuto l’onore e il piacere di averti insegnato italiano,la lingua piu bella del mondo, che diventa ancor piu bella e musicale quando sei tu che la parli con la tua gentilezza e dolcezza senza pari.
    Complimenti ancora per tutto la tua incredibile opera.
    Continua cosi’ e non dimenticare il tuo italiano.Le porte della mia classe sono sempre aperte per te.
    Giovanni Tempesta

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